Few houses connect with their surroundings as perfectly as the Los Angeles home of lifestyle and fashion guru Jenni Kayne, which is undoubtedly one of the world’s best homes.
Tucked away in a canyon to the west of the city, the building is the work of Belgian architect Vincent Van Duysen, whose modernist-inspired design appears to bring its wooded setting right into the house itself. ‘There is no real barrier between exterior and interior; the architecture merges with the outdoors,’ he affirms.
Jenni, whose eponymous brand offers fashion and interiors staples, approached Vincent in 2015. ‘There was an immediate connection,’ she says. ‘He’s incredible to work with as he really cares about who you are as a family and how you want to function in the space.’
Taking into account the lifestyles of Jenni, her husband Richard Ehrlich – owner of a property agency – and their children, Tanner, Ripley and Trooper, Vincent designed the house as a series of interlinking volumes set around a courtyard. ‘The open plan creates an informal atmosphere, where the flow of spaces turns rooms into a continuous experience,’ he says.
Inside, the volumes are punctuated with full-height glazing framing sylvan views, most notably in the living room where living room ideas include a wall of sliding glass opening up to a hillside dotted with oaks and sycamores. ‘We wanted to get as close to nature as possible,’ says Jenni.
To tie in with the surroundings, materials are limited to pale oak, French limestone and textural plaster. One of the hallway ideas was to use textural plaster for a spiral staircase that leads to an office, the house’s only first-floor space. ‘The only reason we put the office up there is because I insisted on having a staircase – Vincent makes the most beautiful ones,’ says Jenni.
Built-in seating maximizes the space and ensures an uncluttered feel. The restful palette is enlivened with textures including oak, limewashed brick and French limestone flags.
The architecture has been complemented with art and vintage Scandi pieces sourced by Jenni as well as soft furnishings made by her friend Molly Isaksen.
Kitchen ideas include using beautifully crafted oak cabinetry that has been tailored to the needs of a family that loves to entertain. The room’s textural plaster finish chimes with the pendant lights and lends subtle movement to the scheme.
Pale as the interiors are, Jenni insists that ‘nothing is too precious; I believe everything is a living surface so I don’t get upset if there’s a ring mark on a countertop.’
‘I wanted everything to feel grounded and timeless,’ notes Jenni of the simple furnishings, which include a 1940s sheepskin chair.
Among the bedroom ideas are an oak screen, designed by Vincent, to bring a sense of intimacy to the space.
The ceiling’s oak slats ensure an interesting interplay of light and shade. The doors leading to the couple’s two bathrooms have been designed to disappear into the wall.
One of the bathroom ideas involved using dark bronze frames on the glazing to tie in with the finish of the fireplace. A vintage Swedish pendant light helps accentuate the high ceiling
The house is a series of limewashed brick ‘volumes’ set around a courtyard. The building’s limewashed brick façade, a typically Belgian feature, particularly resonated with Jenni: ‘It reminded me of the LA homes built by Cliff May, a quintessential California ranch architect,’ she says, adding, ‘I wanted something that felt architectural and bold but at the same time very organic and soft.’
The house also plays host to a pair of large dogs. Indeed, the family have accumulated a menagerie that includes three miniature ponies and a miniature donkey, as well as two goats and 10 chickens.
‘We’ve been here a year and it really was divine timing – we’ve been able to look to nature and spend as much time as possible outdoors,’ says Jenni. ‘It’s pretty magical bearing in mind that we are just five minutes outside the city.’
Interior design/ Jenni Kayne (opens in new tab)
Architecture/ Vincent Van Duysen (opens in new tab)
Photographs/ Stephen Kent Johnson
Text/ Rachel Leedham